Coupled with Japan’s naturally beautiful scenery, Yuru Camp’s five main characters have this seductive quality that makes their adventures feel like an essential viewing. might not be an anime series like most on our list but it deserves a spot on our Top 10 Best Romance Anime of the 2010s for truly bringing anime further than ever before! Controversial and a head turner, at the debate table. The titling is unfortunate, because many may have turned away thinking it’s a sequel to an anime they haven’t seen (and frankly don’t need to). Ritsuka helps Mafuyu find the voice he lost through years of abuse and Mafuyu reminds Ritsuka about the joys of playing guitar. The story of Sword Art Online takes place primarily in a virtual reality world. Much of the symbolism put together may not string an overall meaning, if it does it probably only makes sense to Ikuhara. Matsumoto is a landmark director, and her decision to add two original characters (that weren’t in the manga) to give the show more structural glue is a testament to her talent. In her free time, you can find her eating hummus, riding the Haunted Mansion, or being suffocated by her cats, Moo and Mai Tai. Yuzu is attentive and eager to please and clearly very in love, while Mei is cold and distant and sometimes straight-up gaslights Yuzu about their relationship. Despite being driven by nostalgia, Gridman feels very modern and fresh with its storytelling choices, especially with an ending that no viewer will see coming. While anime has been around for decades, the 2010s were pivotal in reaching a global audience. K-On!’s second season elevates the anime into the tier of masterpieces, following the limited time its characters have left to keep their happy status quo. Surprisingly enough, for all the unapologetic violence that happens in this show it still manages to fit in a good number of character arcs that really flesh out a more emotional journey. Its scale, both emotionally and narratively, is unmatched by anything else this decade. The score by Hideyuki Fukasawa is another thing to praise, feeling like the grimy scores of recent David Fincher films, a perfect aural experience to further unnerve the audience. We watched Yuri on Ice with our hearts in our mouths as Yuri tried to achieve his new figure skating dreams with the help of Victor, his idol and new coach. Her recent works (A Silent Voice and Liz and the Blue Bird) have demonstrated her key position in the world of modern arthouse cinema; especially being a diverse voice for the anime industry. Though on the surface level isn’t some conventional Oscar bait storyline. Hopefully someday, people will eventually pick up this show again. Re:Zero asks the question, what if the other world isn’t actually better; or what if the other world is even worse? Less a “who dunnit it?” and more a “how did they do it?” type mystery plays out, as detectives and other experts try to figure out how the murder of Magata Shiki happened and where the culprit could have gone. When 2010 arrived, so did the “Best of the Decade” lists, with film, television and everything in between being covered over a variety of platforms. It tells a modern lore that feels like it deserves to be as old and timeless as “The Tale of The Princess Kaguya” or “The Tale of Genji”. The World God Only Knows walks on a tricky plot, but its delivery (in both manga and anime) make it a highly serviceable ride. Here are our picks for the five best anime couples of the 2010s and the five worst. In a world where a very rare disease occurs specifically to adolescents with deep mental issues. Megalo Box follows a rather sensitive character, Junk Dog, who knows he was born to be great. Unfortunately, reality may not be as optimistic as New Game may exhibit it to be. It illustrates the raw power of its characters by showing that amount of damage they can cause by simple taps. Next: The Best Yuri Anime Of The 2000s, Ranked According To IMDb. In between saw the birth of dozens of new studios and prolific studios being hit by disasters. You can simply feel the atmosphere of his settings, as many of them tend to merge two genres together. For all the hype that goes behind most shounen anime, none of them have been able to match Kill la Kill’s masterful depiction of power. Kaguya Wants to be Confessed is both. Perhaps the most underrated show on this list, Koufuku Graffiti is a masterpiece about a girl coping with the recent lost of her grandmother. It’s a haunting world, that camouflages itself within quick fluttering moments of hope and happiness. Don’t @ me with this. The rising action across the show’s runtime only makes the ending so much more empathetic, as it reminds us of our own best years. Rather what pushes the show forward are the experiences of being a simple adult in the world. Related: Sword Art Online: 5 Asuna Outfits We Loved (& 5 She Should Never Wear Again). An example is how it depicts homelessness in Japan, which is a problem in this country like it is in many others. And with all the drama, awkwardness and … Imaishi is very proud of his insane and unapologetic artistic voice. The main fact that this anime is in this list is because; yes, it has romance, but it's more of a comedy otherwise I would've put it on number one because it's definitely one of the best romance comedies for me. From its beautiful imagery to its lovable protagonist, Ohana, Hanasaku Iroha brought a compassionate tale for all ages. We have a lot of trouble believing these two would go on to get married and have two kids. KonoSuba is one of the most inspired shows in perhaps what is the second least inspired genre to ever hit anime (after battle shounen of course). It balances out its 3D and 2D animated worlds very seamlessly, so you never second guess what the show’s trying to sell. The use of classical pieces from the likes of Bach and Fauré give the show a timeless feeling; even though it was made eight years ago it still lives on as if it was freshly out of the oven. Though the “rare disease” is literally found in just about every character introduced. Not many anime carry the same amount of subtlety of Rakugo. Doom (2016) – Mick Gordon. On a personal level, this anime is a chef-d’oeuvre. So a blend of pessimism and nihilism put together surprisingly serves as a hilarious watch, sprinkled with bits of social and political commentaries. There’s genuine thought that comes into developing the relationship with our world and the fantasy world, including learning each other’s languages and political tensions within either world. An isekai at the very very tippy beginning of the massive trend, Outbreak Company serves as a guideline for a lot of new isekai in creating an entertaining series that doesn’t ever take itself too seriously. And no matter what happens, Subaru will still stay as the self-loathing person he is. Taking place in the spiraling city of Kyoto, Watashi has to fight his way through time and space to attempt to escape the sealed off world he’s stuck in. The complete opposite side of the spectrum from Idolm@ster, Love Live is a much more cinematic presentation of the idol world. Omata’s direction also gives the show a special flare, breaking the mold from the story’s original manga panels to create something visually fresh each gag. Some of Yamada’s cinematic influence still flows into this show, particularly with her obsession with film cameras and western music. Votes: 1,744 It’s a humorous assault on its viewers, as each gag shoots and scores with such rigor that even the most lukewarm audience will find enjoyment from this. Not all worlds can guarantee a world of happiness and prideful journeys, perhaps none truly do. It’s not impossible to date someone, only to realize you love someone else. The frenetic nature of Occultic;Nine seems chaotic at first, but in a more concentrated viewing of it, it’s easy to tell that its fast cutting is very deliberate and technical (like an overwhelming guitar solo). FMA really is one of the best anime of all time, and a big contender for best action anime ever. What Akari is to Aika is what Alicia was to Akari; what Alicia was to Akari was what Akino was to Alicia. It’s the interactions between characters and small discoveries of the dragon world that make this anime such a shining bauble. Romance anime series aren’t often hilarious, and they’re rarely well animated. The use of CG actually highlights the brittle bodies of the characters, making action sequences all the more tense. Any discerning fan of anime knows there are romances that work and those that don't, so let's look back at the best and worst couples of the 2010s. A refreshing example that even if you don’t have the means for great production values, a powerful story can make up for it. Feuilletonist in its structure (Action -> Reaction/Action -> Therefore) and how it paces out trivial “set up the scene before getting to what we need the audience to know” that other shows might have. actually one of the most bittersweet anime of the decade. One of the most mature anime of the decade, the story is fairly simple: a man is trying to write a new dictionary for the Japanese language. Mob Psycho 100 is a weird colorful show that could’ve easily failed, but thanks to its sure direction its steadily stands as one of the more commercially successful releases of the decade. Traveling isn’t easy, traveling to Antarctica is especially difficult and the show doesn’t sugarcoat the experience. Kunihiko Ikuhara being Kunihiko Ikuhara. It’s the simple, but elegant, shots on character’s faces that highlight their thoughts and allows the viewers to put the pieces together. The next best option is his novel Us, and while it cannot replace One Day’s place in my heart, it is nonetheless a very good romance novel. Using CG also allowed for some camera movements that would have been impossible (or impossibly difficult/time-consuming) to recreate in 2D animation. But the encouragement between the two, and Kaori doing her best to make the most of the time they get to have together and to help Kousei rediscover his love for music, is all we could ask for in our own relationships, so we definitely love seeing it in this anime, even if it broke our hearts at the end. Not many directors this decade have matched the potent imagination of Oshiyama. Oreimo or otherwise known as My Little Sister Can’t Be This Cute, may not have the same technical influences that say Stanley Kubrick’s Barry Lyndon. There are many harem anime out there, but very little like this one. Too bad the film, Over the Rainbow, was absolute hot garbage; Italy deserved better. His sense of fast editing to enhance a gag is done masterfully in many episodes. Despite its look as a simplistic moe show, there’s a good amount of rather startling comedy in the show. Sadly this show has been derived to simply a show with ‘food porn’. They become a couple under these conditions and are even married later on in the series. There were many many beautiful moments sprinkled across this show (most likely thanks to the delicate touch of Haruka Fujita). Also, the character Akane is a force of nature. The anime walks a variety of sub-genres and isn’t bereft of notable symbolism, a lot of it alluding to the 1995 terrorist attacks on the Tokyo metro and destiny (an unlikely couple). When watching it, you can certainly tell it’s being directed by an A-grade filmmaker. With that being said, here are IMDb's top ten romance anime of all time. Much more of a coming-of-age story than a story about a band. Furukawa is heavily influenced by his senpai, Kunihiko Ikuhara, and has taken many notes from Ikuhara (such as the cumulative fairy tale structure). The Top 10 Romance Movies of the 2010s; The Top 20 Romance Movies of the 2010s; The Top 50 Romance Movies of the 2010s; The Top 100 Romance Movies of the 2010s; The Top 250 Romance Movies of the 2010s; The Best Horror Movies Of the 1980s; The Best Science Fiction Movies of 1977; The Best Comedy Movies Of the 2000s; The Most Recently Released Movies Changing the world around you doesn’t automatically change the kind of person you are. The first Pokemon series to have as much heart as the 1997 anime, only this time it has a narrative plot line that makes much more coherent sense! One of the few idol shows that don’t feel…well, awful. With misunderstanding after misunderstanding, it’s also fun to see what curveballs the anime has waiting around the corner. But it isn’t entirely ignorant, it’s completely aware that integrity needs to sell. This anime is powerful in how it follows characters who trek their way through the rather volatile world of ping pong; perhaps that suffocation comes from themselves rather than the game. But the challenges are what make the adventure worth it, as it captures a feeling of satisfaction and vivacity that The Secret Life of Walter Mitty was only able to capture in a teaser trailer. But at the studio’s peak in production values, Hanasaku Iroha came out and boy was it a powerful show. They are many gags in this show that for some reason just never get old, whether it being Akari having no presence or someone just screaming “Toshino Kyouko!” For all the gag comedy there is out there, it’s hard to contemplate how most of them aren’t better when there are so many notes to take from this anime. Yamada, finds this deeper crisis in the characters and uses that as the main driving force for drama, but doing so in accumulating dosages. 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